Summer 2025 / Alumni News

AAWC President’s Report – Summer 2025

If there were a deity overseeing college commencements, I’d submit it should be Janus, the Roman god of beginnings, gates, transitions, time, duality, passages, and endings. He’s traditionally pictured as a noble-looking  soul, and having two faces, looking both forward and back. How, being dual-headed, he might affix his mortarboard remains a mystery. I know mine defied logic.

Patricia Bennett

After all the medieval regalia processing, the speechifying, and the general rejoicing, though, the question might be asked: Where is the permanency? Residence halls are vacated; cars packed; newly-degreed graduates head  toward Life in myriad forms; third-year students take their places and the academic cycle begins again. Does anything endure?

I think Wilson alums would answer a resounding “yes.” From Wilson came knowledge acquired; decades-long
friendships; and the ability to think critically, all with the understood directive that we were to pass those gifts on.

These days, especially, when institutions of higher learning generally, and humanities studies in particular, seem under siege, I believe graduates of Wilson can, and daily do, testify as to the worth of their education and its continuing, sustaining power in their lives.

In the March 16 edition of the New York Times, Robin Kelsey, a former dean of arts and humanities at Harvard, maintained that “A humanist education teaches us to question dominant narratives, to recognize how certain ways of thinking rise to prominence while others fade from view. At the heart of the humanities,” he continued, “…is to practice the same skepticism, open inquiry and refusal of dogma that science is known for — while also addressing questions about meaning, virtue and ethics…”

All that sounds like a pretty heavy lift, as indeed, do the efforts to nourish and sustain Wilson herself, so future students can “find their Bold” and continue the Wilson legacy of graduating thoughtful, discerning women and men.

It’s a task to which we of the AAWC set ourselves.

And lest that sound a bit too formidable a subject as Summer comes upon us, let me relate a tale of five members of the Class of 1955 who marked their 70th reunion in May. Despite perhaps being a bit mobility challenged, time had clearly not dimmed the traditional can-do verve of these returning alums, one of whom warned organizers this Spring, “There are five of us coming and we need seven handlers!” Wilson graduates indeed!

A joyful summer to you,
Patricia W. Bennett ’68
President, AAWC

RELATED: Wind-Driven Wonders: New Kinetic Sculptures Grace Wilson’s Campus Ring it Forward 2025 AAWC President’s Report: Spring 2025

Wind-Driven Wonders: New Kinetic Sculptures Grace Wilson’s Campus

Wilson College is now home to two artisan-made wind-driven kinetic sculptures, thanks to the generosity of Jim and Amy Neilson Clapp ’75 and Bob and Betsy Collmus Fisher ’75. Kinetic sculptures interact with nature to  create movement and enhance the beauty of the artwork.

Both sculptures were recently on display at the Carroll Creek Kinetic Art Promenade in Frederick, Maryland. Launched in 2020, the promenade hosts artwork from regional artisans and encouraged local individuals and organizations to sponsor the creation process and subsequently own the resulting artwork.

kinetic sculpture

The first sculpture is a piece titled “Orbital Dance,” sponsored by the Clapps and created by Erin Aylor in 2021. Featuring ten 24-inch-tall water dancers, created from various metals in a variety of colors and textures, circling in unison to celebrate spring and new beginnings under an orbiting solar system. The kinetic sculpture, eight feet high and six feet wide, now stands in the flower bed between Norland and Thomson Halls. Aylor is a traditional full-time artisan from Myersville, Maryland, who specializes in sculpture and knife work.

kinetic sculpture

The second sculpture, “Together As One,” a 2022 creation by Thomas Sterner, was sponsored by the Fishers. This 12-foot, tri-dimensional stainless-steel sculpture includes over 130 fish, each 6 to 16 inches long, that combine to form one large fish with an iridescent gradient finish. Positioned near the pedestrian bridge entrance to the equestrian Center, the fish sculpture, in its new campus location, gives the impression of jumping into the Conococheague Creek. Sterner is a full-time artist and the founder of ART FACTORY, a studio in rural Maryland creating public art from concept to fabrication to installation.

RELATED: AAWC President’s Report – Summer 2025 Ring it Forward 2025 AAWC President’s Report: Spring 2025